Hammer horror titles coming to Britbox UK, October 2022

A slew of Hammer film will arrive on the UK streaming service Britbox in time for Halloween.

Look out for the following horror titles, streaming in HD this October:

The Curse of Frankenstein (dir. Terence Fisher, 1957) – Peter Cushing plays the title character, and a then-unknown Christopher Lee his creation, in a colourful, full-blooded Gothic that revolutionised the genre and began Hammer Films’ permanent association with horror

The Nanny (dir. Seth Holt, 1965) – Bette Davis gives an effective performance in a brilliantly suspenseful domestic thriller, supported by a strong ensemble cast that includes Jill Bennett, Wendy Craig, James Villiers, Maurice Denham and young William Dix

The Witches (dir. Cyril Frankel, 1966) – Proto-folk-horror scripted by Nigel Kneale from a novel by Peter Curtis, aka Norah Lofts, and with a merely okay performance from Joan Fontaine upstaged by a sublime turn by Kay Walsh

Dracula, Prince of Darkness (dir. Terence Fisher, 1966) – Christopher Lee, Andrew Keir, Barbara Shelley and Francis Matthews star in the studio’s first direct sequel to Dracula (1958)

Rasputin, the Mad Monk (dir. Don Sharp, 1966) – A pseudohistorical spin on the real-life Russian mystic, with added horror elements and two strong performances from Christopher Lee and Barbara Shelley

The Plague of the Zombies (dir. John Gilling, 1966) – André Morell, John Carson and Jacqueline Pearce star in Hammer’s only movie in the zombie subgenre

The Reptile (dir. John Gilling, 1966) – A spate of mysterious deaths plague a Cornish village in an original and atmospheric Gothic horror starring Ray Barrett, Jennifer Daniel, Noel Willman, Jacqueline Pearce and prolific Hammer character actor Michael Ripper, in one of his best roles

Frankenstein Created Woman (dir. Terence Fisher, 1967) – The fourth film in Hammer’s Frankenstein series has Peter Cushing’s Baron team up with Thorley Walters for a metaphysical experiment in transferring souls

The Devil Rides Out (dir. Terence Fisher, 1968) – Christopher Lee and Charles Gray are adversaries in a very stylishly executed occult thriller, based on the novel by Dennis Wheatley

Scars of Dracula (dir. Roy Ward Baker, 1970) – Christopher Lee, Dennis Waterman and Jenny Hanley star in an abysmal sequel that falls well beyond the company’s usual standard

Dr Jekyll and Sister Hyde (dir. Roy Ward Baker, 1971) – Ralph Bates and Martine Beswick star in a smartly produced variation of Robert Louis Stevenson’s tale, scripted by Brian Clemens (The Avengers, Thriller)

Frankenstein and the Monster from Hell (dir. Terence Fisher, 1974) – The Baron’s descent into utter madness is complete in this engrossingly claustrophobic denouement to Hammer’s Frankenstein series, starring Peter Cushing for the final time, alongside Shane Briant, Madeline Smith and Dave Prowse

To the Devil a Daughter (dir. Peter Sykes, 1976) – Christopher Lee, Richard Widmark and Nastassja Kinski star in a Dennis Wheatley adaptation that would turn out to be Hammer’s final horror film for almost 35 years

Other non-Hammer horror titles to look out for include the Amicus anthology Dr Terror’s House of Horrors and British Lion’s The Wicker Man and Don’t Look Now, originally released on a double bill in 1973. And don’t forget you can watch the 1980 anthology series Hammer House of Horror on Britbox, too. Register here for £5.99 a month.

The Mummy and Frankenstein and the Monster from Hell set for LE Blu-ray release (UK)

Two classic Hammer horror films are to be released as limited-edition Region B Blu-rays on 29 August 2022.

The Mummy (1959) and Frankenstein and the Monster from Hell (1974), two celebrated Gothic pictures from director Terence Fisher, will be packaged in rigid slipcases featuring newly commissioned cover art from poster artist Graham Humphreys (The Monster Club, Nightmare on Elm Street) and a mix of previously released and brand-new features.

The Mummy stars Peter Cushing, Christopher Lee, Yvonne Furneaux and George Pastell in a lurid, colourful retelling based on elements from the earlier Universal series of films.

Frankenstein and the Monster from Hell was the last in Hammer’s Cushing series of Frankenstein films, and its reputation as a swansong for both its star and its director has only improved in the almost-50 years since its release.

Older specifications are from the now hard-to-find Lionsgate/Icon Blu-ray releases. Full specs are as follows:

The Mummy Special Features 

  • Main feature presented in original UK theatrical aspect ratio 1.66:1 and alternative full frame1.37:1
  • New audio commentary by film academic Kelly Robinson
  • Archive audio commentary by Marcus Hearn and Jonathan Rigby
  • An Appreciation of The Mummy by David Huckvale
  • The Music of The Mummy
  • Unwrapping The Mummy
  • The House of Horror: Memories of Bray
  • The Hammer Rep Company
  • Original Promo Reel
  • Still Gallery

The Mummy Limited Edition Contents

  • Rigid slipcase with new artwork by Graham Humphreys
  • Soft cover book with new essays by Kat Ellinger, Lindsay Hallam and Kevin Lyons plus production stills
  • 5 collectors’ art cards 

Frankenstein and the Monster from Hell Special Features 

  • Main feature presented in original UK Theatrical aspect ratio 1.66:1 and alternative full frame1.37:1
  • New audio commentary by film academic Kat Ellinger
  • Archive audio commentary by Shane Briant, Madeline Smith and Marcus Hearn
  • An Appreciation of Frankenstein and the Monster From Hell by David Huckvale
  • The Music of Frankenstein and the Monster From Hell
  • Taking Over the Asylum
  • Charming Evil: Terence Fisher at Hammer
  • Stills Gallery

Frankenstein and the Monster from Hell Limited Edition Contents

  • Rigid slipcase with new artwork by Graham Humphreys
  • Soft cover book with new essays by Kevin Lyons, Kelly Robinson and Emma Westwood plus production stills
  • 5 collectors’ art cards

The new editions come from Second Sight Films and are now available to pre-order at £24.99 each. Both are rated 15.

Dracula Has Risen from the Grave – but Is God Back in His?

This post is part of the 2021 Hammer-Amicus Blogathon

There was little ambiguity concerning the existence and role of God in the films of Terence Fisher, the director whose vision for the Gothic helped shape ‘Hammer horror’ from the studio’s first colour period horror film, The Curse of Frankenstein (1957).

Continue reading “Dracula Has Risen from the Grave – but Is God Back in His?”

The Horror of It All: The Dynamics of Class and Power in the Hammer Gothics

This was originally published by Albion magazine (online) in 2005, and represents one of my earliest published pieces of writing, as well as my first on Hammer Films, if I recall rightly.

The Hammer House of Horror, the makers of quintessentially British gothic horror films, was dominated by two dashing aristocrats: Baron Frankenstein and Count Dracula. Their terror was inflicted on lower-class rustic communities, but their heroic pursuers – as well as the particular pool of victims we care most about – were middle-class, treading a noble path midway between the ignorance and ignobility of the working classes and the unfettered craving for power of the upper class. These dynamics provided the general contours for Hammer time and again throughout the studio’s truly “classic” period, which I shall (to the infuriation of some aficionados, I am sure) place roughly from The Curse of Frankenstein in 1957 to Taste the Blood of Dracula in 1969.

Continue reading “The Horror of It All: The Dynamics of Class and Power in the Hammer Gothics”